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Revolutionary opera in North Korea is a genre of the culture of North Korea best known through the "Five Great Revolutionary Operas" (5대 혁명가극).〔(North Korea’s revolutionary operas )〕 Outside the DPRK North Korean revolutionary opera is popular with some of the older generation in China, as a result of the appeal of North Korean's revolutionary opera — being less radical than China's revolutionary opera - during the 1966–1976 Cultural Revolution when China's own traditional forms such as Beijing opera were banned.〔Ian Jeffries ''North Korea, 2009-2012: A Guide to Economic and Political Developments'' - 2012 - Page 188 "Another factor is the popularity of North Korean opera in China, which dates to the 1966–76 Cultural Revolution when China's own traditional forms were banned. Although North Korea's five revolutionary operas were almost certainly modelled on China's 'revolutionary model operas', they were slightly less radical ."〕 ==The "Five Great Revolutionary Operas"== *Sea of Blood (피바다) *The Flower Girl (꽃파는 처녀) *Tell O' the Forest! (밀림아 이야기하라) *A True Daughter of the Party (당의 참된 딸) *The Song of Mount Kumgang (금강산의 노래) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Korean revolutionary opera」の詳細全文を読む スポンサード リンク
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